Wednesday, 24 October 2012

Modernism in Graphic Design

LECTURE NOTES 

Start of modern graphics? 


Cheret (1884)    
Toulouse Lautrec (1891) 

- experimentation    
- signs of modernism 


Parole in liberta - futurists 
- first experimentation with type 
- minimalistic, stripped down 
- capturing modernity and male resistance 

Apollinaire (1918) II pleut 

Zang 

Marinettie - first person to use type as image 

Fortunato Depero - Bolted Book
- not hiding materials, experimenting with form 
- Radical type 


TYPOGRAPHY - Tschischold     
 -  Argued only Grotesk fonts, very stripped down sans - serif. Axemdons Grotesk   
 -  Didn't like Fraktur font as it was used by the Nazis 
 -  Mechanical font in machine age 

INTERNATIONAL TYPOGRAPHIC STYLE 
 - Switzerland post WII  -  because it was neutral in the war 
 - Grid  

Swiss style  -  modern graphic style 
 -  uses grid 
 -  Aksidenz Grotesk/Helvetica 
 -  Flush left, ragged right text 
 -  abandoning of drawn illustrations in favour of photography

Neue Grafik 
 - international style 
 - form into function, nothing but type, straight to the point 
 -  heir-achy of type 
  Aksidenz Grotesk 



Modern Graphic style, Swiss style, Joseph Muller Brockman  

Boyne + Rattansi, Postmodernism + society 

- Aesthetic self - reflectiveness 
- Has a form that looks back at its form - bolted book 
- Montage 
- Paradox, ambiguity (work thats contradictory) + uncertainty, loss of form in the modern world 
- loss of the integrated individual subject 
- optimism 


INTERNATIONALISM 

Universal - sans-serif for a new age 

- stripped down 
- rational/logical 
- easier to read 
- cheaper 
- typeface made on computer/machines 


Harry Beck 
- Underground map 
-Paul Citroen - metropolis 


Conclusion 
- No essence of modernist art + design that is shared by all - just 'family resemblance's' 
- Modernism moves away form an illusionisitc "realistic" way of depicting the world and instead relies on signs + symbols 



HELVETICA FILM 
- Massimo Vignelli 
  - New York Map-underground, legibility, simple 
  - Flower children, doesn't like, too western, if it makes sense they do the opposite, had no logic 



DAVID CARSON 
- looks at everything he receives, stamp packaging, hand writing 
- form is more important 
- lazy, easy fix to go with Helvetica, says its boring, too easy to use, anyone can use it
- fonts named after cities 


EXPERIMENTAL JETSET 
- Amsterdam based design studio 
- Interested in sub-culture, punk rock 
- Uses helvetica  
 
 


                                 

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